Kuna Art And Shamanism An Ethnographic Approach Pdf
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Acknowledgments Note on Orthography Introduction 1. Island, Gardens, and Ancient Trees 2. Alterity and the Populated Forest 3.
Kuna Art and Shamanism
Citazioni per anno. Citazioni duplicate. I seguenti articoli sono uniti in Scholar. Le loro citazioni combinate sono conteggiate solo per il primo articolo. Citazioni unite.
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Panamanian culture is a hybrid of African , Native Panamanian , and European culture - specifically Spanish. For example, the tamborito is a Spanish dance that was blended with Native American rhythms and dance moves. Dance is a symbol of the diverse cultures that have coupled in Panama. The local folklore can be experienced through a multitude of festivals, dances and traditions that have been handed down from generation to generation. Panamanian Cuisine is a mix of African, Spanish, and Native American techniques, dishes, and ingredients, reflecting its diverse population. Since Panama is a land bridge between two continents, it has a large variety of tropical fruits, vegetables and herbs that are used in native cooking. Typical Panamanian foods are mildly flavored, without the pungency of some of Panama's Latin American and Caribbean neighbors.
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Learn more. The first book to study wood carving and its relation to shamanism among Kuna people from the San Blas Archipelago, providing a rich new lens for understanding the Kuna worldview. Known for their beautiful textile art, the Kuna of Panama have been scrutinized by anthropologists for decades. Perhaps surprisingly, this scrutiny has overlooked the magnificent Kuna craft of nuchukana —wooden anthropomorphic carvings—which play vital roles in curing and other Kuna rituals.
Known for their beautiful textile art, the Kuna of Panama have been scrutinized by anthropologists for decades. Perhaps surprisingly, this scrutiny has overlooked the magnificent Kuna craft of nuchukana—wooden anthropomorphic carvings—which play vital roles in curing and other Kuna rituals. Drawing on long-term fieldwork, Paolo Fortis at last brings to light this crucial cultural facet, illuminating not only Kuna aesthetics and art production but also their relation to wider social and cosmological concerns.
В свете ламп дневного света он сумел разглядеть под красноватой припухлостью смутные следы каких-то слов, нацарапанных на ее руке. - Но глаза… твои глаза, - сказал Беккер, чувствуя себя круглым дураком. - Почему они такие красные.
Утечка информации! - кричал кто-то. - Стремительная. Все люди на подиуме потянулись к терминалу в одно и то же мгновение, образовав единое сплетение вытянутых рук.
Но тот молчал. Конец лета. Солнце уже зашло. Над головой автоматически зажглись лампы дневного света.
У Чатрукьяна ком застрял в горле. Он молчал. - Ну ладно, - вздохнул Стратмор. - Похоже, вышла какая-то путаница.
Наверное, уплыли на уик-энд с друзьями на яхте. Беккер заметил, что на ней дорогие вещи. - И у тебя нет кредитной карточки.
Нет! - взорвался Джабба. - Это плохо. Это очень и очень плохо. - Спокойствие, - потребовал Фонтейн.